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TRNS / PROJECT 01
2026
過渡空間首部同名作品

ARCHIVE / CREATIVE WORLD
探索「兩個自我之間的存在狀態」
Exploring the state of being “between two selves”
作品簡介 | About the Performance
《TrAnsITIon》是一齣以「過渡狀態」為核心的當代劇場作品,透過語言、身體、聲音與光影,描繪一位創作者停留在兩個自我之間的心理航行。作品不以「抵達」或「完成」為目標,而是將舞台轉化為一艘尚未靠岸的船,在不確定、停滯、焦慮與自我對話中,邀請觀眾一同停留、感受、呼吸。
《TrAnsITIon》is a contemporary theatre piece centered on the notion of “transition”
Through language, movement, sound, and lighting, it portrays a creator navigating the psychological space between two selves.
The performance does not aim for arrival or completion; the stage becomes a ship yet to dock, inviting audiences to pause, feel, and breathe amidst uncertainty, stagnation, and introspection.

核心理念 | Artistic Concept
The I that was. The I that is. Between the two I’s, I live.
航行者|詹秉驊 CHAN PING HUA

個人創作計畫 | SOLO CREATIVE PROJECT (2026)
「TRANSITION」 | “BETWEEN THE TWO I ’S, I LIVE”
創作者介紹 | Artist
詹秉驊 CHAN PING HUA 是一名以劇場為創作核心,結合戲劇、文字與街舞身體語言的跨域藝術創作者。
他的創作存在與「曾經的他」與「正在成為的他」之間,從人物、關係與個體經驗出發,透過文字、聲音、身體與舞台語言進行轉譯。對詹秉驊而言,街舞不只是舞蹈,而是一種能夠說戲、傳遞情緒與思想的表演語言。
其創作擅長以極簡視覺、環境聲響,以及宛如幻覺般快速的舞蹈與具有爆發力的肢體,將不可見的內在狀態轉化為舞台現場,持續建立屬於自身的劇場語言。
CHAN PING HUA is a multidisciplinary artist whose practice centers on theatre, combining dramatic structures, text, and street dance as a physical language.
His work exists between who he once was and who he is becoming, drawing from characters, relationships, and personal experiences, and translating them through text, sound, movement, and stage language. For Chan Ping Hua, street dance is not simply dance, but a performative language capable of expressing narrative, emotion, and thought.
His practice employs minimal visual elements, environmental sound, and dance that moves with an almost hallucinatory speed and explosive physicality to transform invisible inner states into live stage experiences, continuously developing a theatrical language of his own.
創作亮點 | Highlights
單人全方位創作,藝術內容皆由創作者本人完成
以極簡舞台、光影與聲音建構內在心理空間
專注心理過渡與情緒節奏的真實存在
Fully solo creation — all by the creator
Minimalist stage, lighting, and sound design create an intimate psychological space
focusing on the authentic experience of emotional and mental transition
我活在兩個「我」之間。
《TrAnsITIon/ITI》不是關於「成為另一個自己」的作品,而是一個關於「停留」的狀態。當作品的結構、語言與方向逐漸清楚後,我反而意識到:如果我太快把它推向完成,我會失去我最想留下的那個狀態。這個作品不是來自不確定,而是來自理解之後,選擇不去解決。ITI 不是一個角色,也不是一段敘事。它是一個位置。在這個位置裡,「曾經的我」與「正在成為的我」同時存在。行動被暫停,不是因為不能前進,而是因為前進意味著結束。我選擇把「中間」本身當成一個活著的狀態。停留成為表演,不完成成為一種誠實。這不是一個完成的陳述。它仍然在呼吸。
TrAnsITIon / ITI is not a work about becoming something else.It is a work about staying.After the structure, language, and direction of the piece became clear, I realized that moving too quickly toward completion would erase the very state I wanted to preserve. This work does not emerge from uncertainty, but from understanding—and from the decision not to resolve it.
ITI is not a character, and not a narrative.It is a place.A place where the self that was and the self that is remain visible at the same time. Where movement is suspended, not because it cannot continue, but because continuation would force an ending.
Rather than presenting progress, this work holds the middle as a living condition. The act of staying becomes the performance. The refusal to complete becomes a way of remaining honest.This is not a finished statement.It is a state that is still breathing.
航行船員名冊 | CREW MANIFEST
CREW|航行船員
航行者|詹秉驊
領航員|楊千慧
光航員|趙中澄
控航員|張晴臻
影航員|游芷婷、游承皓
引航員|張嘉發、王心寧、林郁凌、郭致宇、林恩竹
PERFORMANCE
演出資訊
2026.12.18 FRI 19:00
2026.12.19 SAT 14:00
台北偶戲館 4F 黑箱劇場
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